As a multimedia journalism student, I’m working with new forms of media every week. Computer hardware servicingwebsite of carmelito lauron. This week, we’re learning NPR-style audio storytelling, and editing with Audacity. According to their website, Audacity is a “free, open source, cross-platform software for recording and editing sounds.”
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For the first half of the semester, we’re focusing on one subject using still photos, audio, audio slideshows, short video and a news-style package. I’m covering The Bridge, a local music venue that’s part music school, part rock club and bar. With the social atmosphere and diverse acts The Bridge attracts, I knew my audio story would stand out.
Then Snowmagedon happened. A slew of snow storms pounding the midwest stopped Columbia, Missouri in its tracks. This forced me to record my audio Wednesday night, the night before the story was due. I assumed getting back from the concert at 11pm would give me plenty of time to edit before 7:30am. With experience editing video and audio through Final Cut Pro, I thought Audacity would be comprable and easy to manipulate.
I was horribly mistaken.
I have yet to determine what I did to prevent Audacity for editing. Every button I pressed, every person I asked, and every tutorial I consulted failed to help me use Audacity. I could upload audio into the program, but when I tried to clip it, I either couldn’t press the cut tools or my cuts wouldn’t save. I began my editing attempts at 11pm and worked until 5:15am. Work before class started at 6am, so I sent an email to my instructor explaining why my assignment would be late and begging for his help after class. I left for work exhausted, defeated and frustrated with myself for not being able to figure out this simple bit of technology.
Audacity For Dummies
My TA was able to show me what to do, and I’m slowly discovering for myself how to use Audacity. My late first submission was rough, but I’m working from the critique of that work to improve my second version.
I learned two important lessons from my atrocious Audacity experience. One: never put something off until the last minute. Give yourself 24 hours to edit whenever possible. Two: warn your “boss”, or TA when you might cut it close with the deadline. If you keep your “boss” updated on the status of your work, they’ll know what’s going on and understand if things don’t work out. Keeping them informed on your timeline and progress can save you in the end.
So this week will mark my second attempt at Audacity. Giving myself more time, and engaging in experiential learning, will hopefully lead this audacity dummie to audio editing expertise.
Audacity For Dummies Book
Saturday, April 10, 2021 | |||||||||
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Time (ET) | |||||||||
11:00-11:30 | Welcome and Logistics Summit Committee IF THIS ROOM IS FULL TRY THE WALLY's LIGHTS ROOM | Welcome and Logistics Summit Committee IF THIS ROOM IS FULL TRY THE BOSCOYO STUDIO ROOM | Closed | Closed | Closed | Closed | Closed | Closed | Closed |
11:30-12:00 | |||||||||
12:00-12:30 | xLights 3D Gil Jones | Tips From Don: Setting Up Your Show Folders and Files Don Gillespie | Mega Trees: How Guy Wires Help Jon DePlanche | Sequencing 101 Barry Wiles | FPP Overview and Configuration Rick Harris / Dan Kulp | Singing Faces and Props From Start to Finish Carter Manucy | Light-O-Rama Hardware: The Basics Don Teague | Light-O-Rama | DIY Kit Kulp K16A-B Controller Build Bobby Galeza |
12:30-1:00 | |||||||||
1:00-1:30 | Networking Basics 101 Tom Stallings | Null Pixels in xLights Jon DePlanche | Intro to Layering Ron Howard | FPP Scheduler Rick Harris | Optimizing Your Audio and FM Transmission Jason Rasmussen | Converting S4 Sequences to S5 Matt Brown | Boscoyo Studio | ||
1:30-2:00 | Inspire Light Show | ||||||||
2:00-2:30 | Break | ||||||||
2:30-3:00 | xLights Overview Keith Westley | Audacity Mini-Master Class Carl Mirsky | Dealing With the Media and Charities Michael Simmons | Customizing Singing Props for EZ Import Jacky Elliott | FPP 5: A Preview of the Modern New Look Adam Columbe | Moving Heads: Setup and Sequencing Tom BetGeorge | Designing a Dynamic Show Layout Seth Jones | xTreme Sequences | Dancing Animatronics 2.0 / Interactive Props Keith Peffer |
3:00-3:30 | Turning Music Into Movement Seth Jones | RGB-Man | |||||||
3:30-4:00 | LED Strings: How They Work, How They're Made, How They Fail, and How to Fix Them - Part 1 Merlin Q Potter | Using a Projector in Your Display Aaron Woodruff | Sequencing for High-Density Props Ron Howard | Remote Falcon: Controlling Your Show From the Web James Vance | LED Panels: An Overview Greg Macaree | Sequencing Using Timing Tracks Ryan Marshall | CCL Controllers | Spiral Tree Build Dave Breiland | |
4:00-4:30 | S5 Grouping & Modeling for Timing Tracks Ryan Marshall | Wally's Lights | |||||||
4:30-5:00 | Adobe Photoshop for Dummies Jorden Nash | LED Strings: How They Work, How They're Made, How They Fail, and How to Fix Them - Part 2 Merlin Q Potter | How not to Whip Your Neighbors up into an Angry Mob John Storms | Advanced Tips and Tricks From a Sequencing Junkie: Part 1 Michael and Diana Stoffregen | Advanced Thermal Management Brian Rudy | Pixie Setup and Configuration JR Dibble | Gilbert Engineering | ||
5:00-5:30 | Wired Watts | ||||||||
5:30-6:00 | xLights Auto-Sequencing Keith Westley | Drones, Drones, Drones Darren Hedlund | Promoting and Marketing Your Display Dom Hodgson | Advanced Tips and Tricks From a Sequencing Junkie: Part 2 Michael and Diana Stoffregen | Deeper Dive into Networking Paul Thomas | Projection Decorating: Inside Projectors on to Windows Tom Hammond | The Preview Editor & Grouping Pixels Luke Kamp | Sequence Solutions | Panel Enclosure Build Keith Johnson |
6:00-6:30 | The Motion Effect Generator Luke Kamp | EFL Designs | |||||||
6:30-7:00 | Break | ||||||||
7:00-7:30 | Break | 3D Printing and How to Design Parts for Your Display Darren Hedlund | Closed | Sequencing 201 Barry Wiles | Hanson Electronics Alan Hanson | Pixel Power Deep Dive Keith Westley | Closed | OG Sequences | Dipole Antenna Brian McVay |
7:30-8:00 | Magical Light Shows | ||||||||
8:00-8:30 | GCLF Roundtable | Closed | Closed | Closed | Closed | Closed | Closed | Closed | |
8:30-9:00 | |||||||||
9:00-9:30 | |||||||||
9:30 and On | Social Hour - Get to Know Your Fellow Illuminators | ||||||||
Sunday, April 11, 2021 | |||||||||
Time (ET) | |||||||||
1:00-1:30 | Break | Video Creation and Editing Using Free Software Carl Mirsky | Importing Sequences From Others Into Your Display Jeff Tell | Light-O-Rama Superstar: Preview Building for Superstar Props Jim Walls | FPP Installation and Configuration Walk Through Rick Harris / Dan Kulp Checklist for this Class | Internet Controlled Christmas Lights Tom Hammond | Singing Faces Without Software Assistance JR Dibble | Snowflake Tree Build for 3 ea. 46',.36', 24', and 4 12' Snowflakes With a 24' Star Topper Brian McVay | |
1:30-2:00 | TBL Products | ||||||||
2:00-2:30 | xLights Coding Shaders & Source Code Overview Keith Westley | xLights Controller Integration: Pros and Cons of Different Controllers in xLights and How to Get the Most Out of Your Controller Scott Hanson | Stupid, Easy xLights Sequencing for Beginners: Part 1 John Storms | Light-O-Rama Superstar: Auto-Sequencer for Traditional Lights Brian Bruderer | A/C or D/C Controlled Props in an xLights / RGB World Michelle Kraklow | Light-O-Rama Troubleshooting: Common Problems and How to Solve Them Seth Jones | Wizard of Wire | ||
2:30-3:00 | Show Stoppers Sequences | ||||||||
3:00-3:30 | Integrating TVs into Your Display John Lubenow | Stupid, Easy xLights Sequencing for Beginners: Part 2 John Storms | Light-O-Rama Superstar: Auto Singing Faces James Morris | Closed | Input Triggers With Light-O-Rama Stephen Blue | Mattos Designs Spiral Tree Build Brian McVay | |||
3:30-4:00 | Break | Light-O-Rama Q&A Session Drew Hickman | |||||||
4:00-4:30 | Falcon Controllers Overview Keith Westley | Closed | Closed | Closed | Closed | Closed | Closed | ||
4:30-5:00 | |||||||||
5:00-5:30 | Raffle | Closed |